Nov
26

Among the Sámi

posted on November 26th 2013 in Photography & Social with 0 Comments

I came here to understand the primal drive of the modern hunter, writes photographer Erica Larsen, and to find a people who, when the land speaks, can interpret its language.

I see Sámi People living in two worlds.
They are of the now. They are of the past.

When I am here a week seems like eternity.
This place will change me forever.
I am a storyteller and this becomes clearer now.

The days are nights and the nights are days.
The reindeer move at night because the snow is harder and easier
to move. Therefore so do we.

This place is Coalmmejavri.
It means shallow water between two lakes.

Time does not exist here, not really anyway.
Yesterday I stood in a vacuum of fog, Murku, winter fog.
It was a place where everything could exist but nothing does.

We stay in a lavvo and I what I think most queer
is that even though the tundra seems absent of all life we get visitors everyday.
I can’t say for sure where they materialize from since I have yet to see another lavvo
but I suppose in the vastness of the tundra it would be foolish of me to think we are alone.

This life is hard, the work with the reindeer.

The weather is ever changing and uninterested in the comfort of those who inhabit the landscape.
The weather takes all the energy out a man.
He wears it on his face.

But the people are proud of their work.
They are proud to be Sámi.
Every ounce of their being is Sámi.

 

Erika Larsen has been working as a magazine photographer for the past ten years. Her stories have appeared internationally in publications such as TimeNewsweekGeoReader’s Digest and DU Magazin. She has been a contributing photographer to Field and Stream since 2005. Her work on hunter-gatherers has been exhibited internationally. She won a World Press Award in 2008 and has been recognized by the American Society of Magazine Editors, American Photography, and Society of Photographers, and has received grants from the New Jersey State Council of the Arts and Women in Photography. She is a member of the Redux Picture Agency and is currently on a Fulbright in the Scandinavian Arctic.

<<In the Arctic, nature’s extremes play upon the daily lives of the inhabitants. Here I found the Sámi, which translates to the People. Indigenous to the Arctic Circle of northern Scandinavia—the largest area in the world with an ancestral way of life based on the seasonal migrations of the animals—the Sámi are, by tradition, reindeer herders who have lived as nomads. By possessing a livelihood dependent on their surroundings the Sámi are acutely aware of changes in nature. They have managed to survive in extreme climatic circumstances for ages. Their spoken language, despite being derived from Finno-Uralic roots, has transformed and is considered an Arctic language rich in its ability to explain the natural world. I came here to understand the primal drive of the modern hunter, and to find a people who, when the land speaks, can interpret its language.

In the first images I created in this land I could see the Sámi lived in two worlds. In them I experienced a past rich in its connection to nature, driven by the need to survive and enveloped in a spiritual relationship to the earth and her surroundings. The images exposed a presence of a people still nomadic and not in need of the world existing outside the arctic landscape. In the other world I saw a group of people acutely inhabiting the present. A culture aware of global connectivity, modern technology and the need not only to exist but to share knowledge to continue living in a world rich in understanding of the natural cycles.

With traditional roots intact, the Sámi have managed to bridge into the modern world. I have observed nature being at once both beautiful and brutal and it appears that the culture is still living in a rhythmic flow with nature. Through the Sámi I hope to better understand our role as stewards of the earth. It is inevitable when spending time in a more nature-based culture that one must recognize the cycles of life and death and therefore begin to evaluate man’s role within this circle. As biodiversity, forest stability, abundance of water, and wildlife management become globally vital, this community serves as a microcosm of sustainability.

My photographs explore the Sámi’s symbiotic relationship with the environment, their existence in today’s world, and the mystery and beauty which fueled past generations to survive into the modern world. The project demands that I inhabit their world. And among the Sámi, my ability to be an effective storyteller is partly ruled by a collective sense of seeing. In the Sámi civilization I recognize a reverence for daily life, fertile ground to explore and emulate.>>

See her whole photographic project at her website http://www.erikalarsenphoto.com/

Images credits: Erika Larsen.

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